This post is part of a series on the collection of ornithologist William Brewster (1851-1919) at the Ernst Mayr Library, written by Elizabeth Meyer, library project assistant.
“The conditions which govern the singing of birds are a constant puzzle to me,” Brewster wrote in his journal after decades of ornithological study.  We have some solid information now about how and why birds make certain sounds , but Brewster didn’t know the difference between songs and calls; that sounds can serve to attract mates and
This spring I was an intern at the Ernst Mayr Library and Museum of Comparative Zoology Archives of Harvard University. I worked with Robert Young, the Special Collections Librarian/archivist. My project taught me how to compose a finding aid from scratch, while bringing together information about multiple collections. In the case of the Hubert Lyman Clark papers, for which I created the finding aid, there were multiple relevant collections accessioned at different times that needed to be synthesized into one document to successfully
As a part of the Field Notes Project, the Ernst Mayr Library is digitizing the journals, correspondences and photographs of William Brewster (1851-1919), a self-trained ornithologist and specimen curator at Harvard’s Museum of Comparative Zoology (MCZ), the first president of the
[written by Bruno Costelini, Science without Borders intern at the Ernst Mayr Library]
Ruth Dixon Turner (1914-2000) was one of the foremost marine scientists of the 20th century. She taught at Harvard but carried out research all over the world, working with wood-boring mollusks, such as shipworms. In the late 1970s after the discovery of hydrothermal vents she was the first woman to dive in the deep submergence vehicle Alvin, which she kept on doing for the next couple of decades.
While going through her papers, housed at the Library, we came across the following
Processing the Alexander Agassiz's Expedition and Other Images Collection (1897-1950 (bulk)), which contains 734 gelatin dry plate glass negatives, 268 film negatives and 13 photographic prints requires several key skills: strong attention to detail, the ability to do research, knowledge of descriptive metadata, and most of all a steady hand.
I started this project in April 2012 with little experience in processing glass
The collection, which primarily documents the expeditions and work of Alexander Agassiz, a pioneer in oceanographic research and zoological investigation and curator and director of the Museum of Comparative Zoology (1873-1910), consists of 734 gelatin dry plate glass negatives, 268 film negatives, and 13 photographic prints from the late 1890s through the mid-twentieth century. The photographs were taken on the Albatross, Challenger, Croydon, and Yaralla expeditions to locations such as Easter Island, Fiji, and Australia, as well as at Agassiz’s Newport, Rhode Island, laboratory and home and at other sites. The collection also includes images taken by Thomas Barbour (who was a student of Alexander Agassiz two decades before becoming MCZ director himself) in South America, Indonesia, Jamaica, Cuba and Florida, as well as those (chiefly zoological specimens) photographed at or for the MCZ. Read more about Alexander Agassiz's Expedition and Other Images Collection is now accessible!
Works by James Henry Blake (1845-1941) on display at the Ernst Mayr Library
A new exhibit of drawings and watercolors by J.H. Blake, is now on display in the lobby of the Ernst Mayr Library of the Museum of Comparative Zoology. Join us for a reception in honor of the exhibit on July 25, 2013 from 2:30-4:30pm. The exhibit was developed by Robert Young, Special Collections Librarian. Notes on Blake’s life and work follow below.